That mission has fallen in and out of favour with a fickle media over the years, but Loach’s path remains steadfast and true, even if he seems to be more appreciated aboard than at home, where his films are sometimes celebrated, and sometimes unjustifiably ignored.ĭespite, or perhaps because of a hot topic subject matter, The Old Oak didn’t initially enjoy the kind of wave of public interest that greeted My Name is Joe or I, Daniel Blake, but it still packs a punch. We’re led to believe that The Old Oak will be Ken Loach’s final film, and if so, the veteran director leave behind a remarkable career as a film-maker, with 1966’s Cathy Come Home establishing Loach on his path as a fearless cinematic warrior with his sights invariably set on laying bare the kind of social injustice that often seems ingrained in British society today.
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